Bholi Ke Lyana Se – Gulshan Music – Nidhi Sharma
The vibrant world of Haryanvi music has welcomed a new offering that blends devotion with a touch of modern flair. “Bholi Ke Lyana Se” (From the Innocence of the Heart), released on [date] by Gulshan Music, features the soulful vocals of Nidhi Sharma and presents a refreshing take on the traditional Haryanvi Bhakti genre.
A Catchy Melody for a Divine Connection
“Bholi Ke Lyana Se” departs from the melancholic or introspective mood often associated with devotional songs. The song boasts a bright and upbeat melody, featuring lively dhol beats and catchy harmonium riffs. This energetic soundscape creates a sense of joy and enthusiasm, encouraging listeners to connect with their devotion in a positive and uplifting way.
Nidhi Sharma’s Soulful Rendition
Nidhi Sharma’s vocals are the heart and soul of “Bholi Ke Lyana Se.” She delivers the song with a sincerity and devotion that resonates with listeners. Her voice effortlessly navigates the playful melody, conveying the simple yet profound message of the lyrics.
Lyrics Rooted in Tradition
While the music takes a modern approach, the lyrics of “Bholi Ke Lyana Se” remain firmly rooted in Haryanvi Bhakti tradition. They express the singer’s unwavering devotion to Lord Shiva (Bholenath) and a yearning to visit the holy city of Haridwar. Lines like “Se bholen ki bhagatni jaan na paave joti meri bhi jaga diye” (Only a devotee of Bholenath can awaken the light within me) and “Holi main jau su Haridwar batta tera ke kalyaan se” (Let me go to Haridwar during Holi, tell me your blessings) showcase the sincerity of the singer’s faith.
A Blend of Tradition and Modernity
“Bholi Ke Lyana Se” effectively bridges the gap between traditional Haryanvi Bhakti and contemporary music sensibilities. The song’s upbeat tempo and modern production techniques make it appealing to a wider audience, while the core message of devotion ensures it resonates with those seeking a spiritual connection.
The Rise of Female Voices in Haryanvi Music
The presence of Nidhi Sharma as the lead vocalist is another noteworthy aspect of “Bholi Ke Lyana Se.” Haryanvi music, traditionally dominated by male singers, is witnessing a rise in female voices. Nidhi Sharma’s powerful performance paves the way for more female artists to explore the devotional genre within Haryanvi music.
Beyond Borders: The Appeal of Haryanvi Bhakti
Haryanvi Bhakti music, with its unique blend of language, melody, and devotion, is rapidly gaining popularity beyond the borders of Haryana. Songs like “Bholi Ke Lyana Se” offer a window into this rich tradition, showcasing the emotional depth and cultural significance of Haryanvi devotional music.
The Power of Uplifting Devotion
In a world often filled with negativity and stress, “Bholi Ke Lyana Se” offers a refreshing dose of positivity and spiritual connection. The song’s upbeat tempo and sincere devotional message encourage listeners to embrace their faith with joy and enthusiasm.
A Song for Every Occasion
“Bholi Ke Lyana Se” is a versatile song that can be enjoyed on various occasions. Whether it’s a devotional gathering, a celebration like Holi (as mentioned in the lyrics), or simply a moment of personal reflection, the song’s uplifting melody and heartfelt message have the power to connect with listeners on a spiritual level.
The Road Ahead
“Bholi Ke Lyana Se” is a welcome addition to the ever-evolving landscape of Haryanvi music. The song’s success highlights the growing audience for devotional music with a modern twist. It will be interesting to see how this trend continues to shape Haryanvi music in the years to come. One thing is certain: “Bholi Ke Lyana Se” has the potential to inspire a new generation of listeners to connect with their faith in a joyful and contemporary way.
Ho samne aa sun bhade
Tane karli gati tyar makhan
Jisne bhi kavadh lani tere
Ikatthe honge yaar makha ho
Jaake gaam ke mandir pe
Tu jat jad vega jat
Javega ghode tot jave se
Haridwar pata mera ke kelave
Ta jave haridar bata mera
Kiwe ham har bari ka
Va lava re bhagat ke
Sute sa bholi abki baar
Bhi jaana sere chadh sabke
Cha bhole mandir pe laake
Dhok fir dj bhi bajana
Se bajna bho main jau
Haridwar bata tera se i
Main jaun su haridwar bata
Tera ke ke lyana se
Ke ke lyana se bhode
Ki bhagatni jaan na paave
Jot meri bhi jaga diye
Aur kuch na chahiye ho
Bhode mere naam ke gote
Laga diye kuch na chahiye
Ho bhode mere naam ke
Gote laga diye tu kar
Ye video column kha jab
Kavadh tha vega jab kavadh
Tha vega bhode tu jave
Te haridwar bata mera ki
Ke aavega bhu tu jave
Se haridar bata mera kike
Aavega ho har ki paudi
Hove bheed re video call
Dikha dunga tere gal mein
Suthra lagega bhode ka locket
Le dunga tere gal mein
Suthra lagega bhode ka locket
Le dunga tane mausam cool
Dikhaun neelkanth pe jana se
N pe jana se bholi
Main jau su haridwar bata
Tera ke kalyana se bholi
Main jau su haridwar bata
Tera ke kelna se tane
Satam suit kavadh lani mandir
Pe dekhu baat makha par
Soliye saurabh sun le re
Tere laage na kit aat
Makha par soliye saurabh sun
Le re tere laage na
Kite aat makhane lana status
Bata kitne ghant ki thaga
Gh kiwe o tu jave
Te haridwar bata mera keke
Laga bhu tu jave te
Haridwar bata mera keke laga
Makha kite aat na lage
Re maari bhole gal yaari
Se ham tem pehla alang
Kyon itni tension thaar sete
Pe aaye tu itni tension
Thari se jogar de ruka
Ho ja lalit ka gaana
Bajana se bajana se bhodi
Main jau su haridwar bata
Tera ke kalyana se bhodi
Main jau su haridwar bata
Tera ke ke lyana se
Kelya se gulshan music